Public Art

The Artwork of EY Centre, 200 George Street

EY Centre, 200 George Street includes a number of artworks that can be enjoyed by the building customers, visitors and wider public.

ngarunga nangama : calm water dream by Judy Watson

The site connects with the history of the Tank Stream which runs parallel with George and Pitt Streets. My mother’s family are from the Waanyi Aboriginal language group of North West Queensland, known as ‘running water’ people. I have always been interested in bodies of water and their connection to Country. When I heard about the Sydney tank stream in connection with this site, I was immediately swimming through the space in my imagination. I researched and used the earliest images of this stream and Warrane (Warrang/Sydney Cove/Port Jackson), in the local Aboriginal (Gadigal) language. Some of the early maps of this place have been incised into the sandstone walls, infilled with red ochre and overlaid with imagery of washes, suggesting water.

Artefact Display in Crane Place Stairs,
Heritage Interpretation

Over 23,000 artefacts were uncovered in the excavation of the site.

The most interesting and significant of these artefacts are showcased in display boxes integrated within the fluid architecture of the Crane Place staircase.

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Dalley Street Panels, Heritage Interpretation

Maps and images of the site’s history are displayed along the Underwood Street laneway of the adjacent 4 Dalley Street building.

These panels document the history of the site in chronological order.

Harbour Foreshore Line, Heritage Interpretation

The site was once on the Sydney harbour foreshore.

As a celebration of this, a bronze strip has been inlayed into the paving of the ground floor lobby and public domain.

The building tenants, visitors and public can track this line as it traverses the site to see where the harbour foreshore line once was.

Underwood Ark By Michael Mcintyre

This majestic Blackbutt tree (Eucalyptus pilularis), native to the Sydney region and south-eastern Australia, is a symbol and a reminder of the extensive environmental and social change that has taken place across this country and an acknowledgment of the Gadigal people of the Eora Nation, the traditional and current custodians of this land.

Between 4,000 and 8,000 Gadigal people, from as many as 29 different clans, inhabited the land in the Sydney region at the time of British arrival in 1788. This area was covered in mangroves, grassland and forest –abundant in plant and animal life. Within months of the British invasion, much of the native flora and fauna was cleared, the freshwater streams became polluted and the Aboriginal population was displaced.

Underwood Ark calls us to contemplate the magnificence and fragility of nature, and asks us to reflect on our connection to this land and the natural world.

Underwood Ark by Michael McIntyre has been developed in partnership with the National Art School, Mirvac, architects Francis¬Jones Morehen Thorp, Doug Shutz of the Wood Yard, Tomerong and Urban Art Projects.

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